Re: My BigDic sez ...
Adobe created Adobe Type Manager, later split into ATM Light (free) and ATM Deluxe (bags o'cash). Adobe also charged hefty royalties for PostScript on printers; a major reason why Apple's original LaserWriter cost $7000 when it was based on non-PS laser printers costing $3000-3500 was the Adobe tax. A combination of TrueType and 3rd-party PS-alikes such as GhostScript allowed users (such as me...) to get most of the value of PS without having to buy a PS printer. I was using TrueType, ATM Light, and GhostScript and similar to drive Apple StyleWriter and StyleWriter II inkjets for the better part of a decade; they were slow, but they gave good (for the time) output and were a lot cheaper than LaserWriters. Adobe cut the price of ATM Deluxe and added features (I still didn't buy it, there were other, cheaper, not-from-those-bastards-at-Adobe applications which had ATM Deluxe's feature set and more) and finally stopped development because a lot of people didn't buy it, but still used it; for a while there it was the single most pirated software on Macs. (For some reason people objected to being raped by Adobe. Imagine that.) Well, the most pirated software that wasn't a font, anyway. As Adobe wanted (and still does want) outrageous amounts of money for fonts ($3000 for the Font Folio! and that's a significant price drop over what it used to be!) there was and is an awful lot of font piracy. I used to work in the printing industry and for a long time when ads came in the ad company would include the fonts, we'd stick 'em on our computers, and print the ad. (Things have changed now, but in the mid 1990s I had over 8000 fonts on my computer, accessed using a font manager, plus another 2000+ archived. (No, I'm not exaggerating. Look up how many different versions of, say, Helvetica, there are. Then look at the slightly different versions of those versions from different font foundries. Ad companies would refuse to pay if we didn't use _their_ Helvetica. We were not paying for all those fonts. I hate ad companies.)
Apple found it easier to license ATM Light, but made it quite clear that if the price went up they'd just build their own. And would license it to Microsoft. Adobe's prices went down and stayed down, 'cause Apple had the ability to destroy a major part of their business. With OS X, Apple leveraged their control of TrueType and their access to 'creative professionals' to get a really good deal for the code for ATM Light and built it into OS X. They also built their very own Display PostScript code, completely independent of Adobe, and use that for all display and printing on Macs and iOS devices. They haven't licensed it to Microsoft, but they could. Adobe lives in fear that Windows will finally get a real display and print engine. All those PDF printers and PDF editors on Windows don't exist on Macs; to print PDF (or PostScript) files Mac users just click on a pull-down menu in the print dialog for Every.Single.Printer, all of them, which works with a Mac, and can do basic PDF editing with utilities which ship with the OS. Acrobat and various 3rd-party PDF editors have to offer serious capabilities and even so have limited take-up.