>> Spencer Tunick
I could have painted them blue in Photoshop afterwards for a couple of hundred quid. It would have taken me 3 seconds.
1308 publicly visible posts • joined 19 May 2009
BT ring me on a regular basis, the caller reading from a script, to tell me that their 30Mbit shite is faster than my existing 150Mbit cable service. Even if I run a broadband speed check, while they're still on the call, that reports speeds in excess of 130Mbit, they insist 30Mbit will be faster.
I wrote about this a while ago.
I am told that CD jewel cases were designed very specifically to approximate the feel of audio cassette cases because, apparently, "the public loved them". The "jewel" refers to the circular arrangement of little plastic teeth in the middle that are supposed to hold the CD in position but in practice just snap into tiny pieces and end up stuck in the carpet for you to discover later while walking to the toilet barefoot in the middle of the night.
This is my problem: a lot of bands I used to like never attained the minimum level of success to be considered worthy of a CD release when CDs came on to the market. So I still have a crap-load of vinyl in my attic that I'd love to listen to but don't have a record player to put them on. And I am NOT tempted by those USB-connected things.
>> CONSTANT PEAK LEVEL OF VOLUME
This was something else that the Abbey Road crusties were complaining about. All those audio shades of light and dark, quiet passages, etc have been replaced by a single constant level of audio volume throughout. It's not the radio, it's in the recordings now.
>> I'd have thought if anything the patents expiring will mean more devices offering support as I assume that means no licencing costs.
Well, you'd think so. But while manufacturers like it when they don't have to pay licensing fees for patents, they like it even more when they have an excuse to move customers on to a new format and sell us new kit to play it on.
I was always partial to Young Savage from Ultravox's John Foxx days.
I went off the Time Warp after Tim slagged it off in Spaced for being a naff song to play at a party. Which reminds me, I must drag up a Spaced video for next week's column. For those unfamiliar with Spaced, here's a taster.
This reminds me of the time when I still had an office in London's trendy Hoxton and the performing rights people rang up aggressively demanding money. They seemed convinced that since it was an office and my employees were working in it, we would by default have a radio blaring out somewhere. I can only imagine that they think magazine publishing companies are run like motor garages, with our editors and salesteam walking around in oil-stained overalls and spanner in hand, while singing along to the latest hits on the radio.
When I told the woman on the phone that we didn't have a radio, she didn't even bother to threaten a surprise inspection visit: she told me outright that I would be fined. I said "go ahead" and put the phone down. Never heard a thing from them again.
I don't know why the video isn't playing - normally YouTube makes it clear when a video doesn't want to be embedded (rather than letting you embed it but not let you play it).
You can watch it here.
The legs are stable and very strong: they are composed of multiple layers glued together, about 1.5cm thick. I admit it's a challenge to ensure a taut fit when slotting them in place without creasing any other part or crushing the corners of the slots. But as my mini video demonstrates, the forward-backward stability might be like a rock but side-to-side is a bit creaky.