Enjoyed this
article immensely. Some of the best photographic results I ever had was B+W 120 from a Yashicamat.
Taking a photograph, the dynamic has really shifted from doing more than frame/expose with little more thought than that, then do most work post production whilst sitting on a computer playing with settings. The good thing is, it allows you to be lazy when taking the shot. The bad thing is, it allows you to be lazy taking the shot. Even now, with the plethora of images thrown at us, a good, well composed image that catches the eye, can tell a story or, and this is the hardest part especially in landscapes, conveys the feeling of being there still stands out from the rest.
Actually, a question, I still have a couple of 35mm and wanted to know where a semi-decent place is to source and develop b+w film these days, along with a set of prints? Kitchen, alas, really isn't suitable.
Biting the hand that feeds IT
