But will this BumChum
help with the RimShot ?
It's only September, but we feel pretty confident that the El Reg 2010 Product Name of the Year will be awarded to the spectacularly-titled BumChum - a silent bass drum monitoring system which promises lively "bottom-end thump". Yes indeed, for just £1199, you too can have a BumChum of your very own, which "which turns the …
At first I was going to react with something along the lines of "don't be silly - it must be a subtle joke that's got The Reg completely taken in". I thought a sort of September April Fool.
And then I read the linked 'What Is It' page, found this...
"It is rock solid: No need to be nervous about dickhead airport handlers or dodgy gear loads in the back of a Transit."
... and figured, no, it really is just a company trying to be funny and cool.
Or whatever the kids are saying for "cool" these days.
(Have we still not got a 'meh' icon?)
These have been around for years at a fraction of the price.
Screws on to pretty much any drum stool.
Even considering the amp you would need to buy it still comes in at well under half the price.
If I'd known you could charge £500 quid for a silly name I'd have been on this ages ago.
This looks like a knockoff of the buttkicker drum throne adapter (http://www.thebuttkicker.com/musicians/accessories/dtm.htm), which has been around for quite some time. It adds the bass directly to any number of standard off-the-shelf drum thrones. The buttkicker has the advantage that you can use the possibly very expensive drum throne that suits your backside.
I suppose this bumchum thing is nice if you want a turnkey product, but in general my reaction is "meh. this is ancient history" :)
(DIscliamer: I just love buttkicker products, and have nothing to do with the company.)
This is of course so drummers can actually hear the bass drum when gigging with guitarists equipped with overpowered amps. The alternative method uses a screwdriver, a soldering iron and a hefty resistor, and involves breaking in to the offending amp when the guitarist is distracted and making a permanent db reduction and then blaming it on their deteriorating hearing.
Standing up for fellow drummers who are always the butt of everyone else’s jokes.
Better still, SG4, the web designers behind the Bumchum site list among their featured projects the corporate redesign for Cockridden Farm. Clearly their accounts manager is a 14 year old schoolboy. Expect to see shop fascias for Gaylord & Sons Ltd or a logo redesign for OMG Boobs! Inc coming soon...
For relaxing after my gruelling public duties? I don't suppose it has much of a view on foreign policy, does it? Certainly it could perform secretarial duties, like offering me a seat when i need one, or maybe as a chauffeur it could simply drive my ass around.
Had to look it up;
1. A chair occupied by an exalted personage, such as a sovereign or bishop, on state or ceremonial occasions, often situated on a dais and sometimes having a canopy and ornate decoration.
2. The drum "throne" is a three or four-legged stool the drummer sits on while playing. Thrones may be shaped like round cushions or in a saddle design. Throne heights may be adjusted to accommodate the drummer"
Not can sure to be rate uprate nomenclature, in general.
Well, speaking as a heavy bassist, I can see the need for drummers to have feedback from their bass drums because people like me drown them out.
Obligatory druumer joke:
How many drummers does it take to change a light bulb?
Only one, but you have to shout slowly at him 'cos he can't see to read your lips...
Beer, a peace offering to all pot beaters who frequent here
I'm still mystified....
If the drummer is sat half a foot from the thing and can't hear it then the audience certainly won't either so why does it matter when he wallops the damned thing or indeed if he does at all?
The "can't hear it" thing is just an excuse for getting some mechanical anal stimulation IMO.
Your'e right. When you play your drum set in your bedroom you hear it. When you play your drum set with your band in the garage you hear it. When you play your drum set live on stage in front of...10 people, you hear it. But when you play in front of 150 people, it gets a little difficult. And when you play in front of 1000+ it sounds like 'flicking a Barbie doll's arse' (love that description).
I'd definitely have one, if not in support of my wild fantasies of playing in front of 60,000 people. But more in support of lending it to my girlfriend when she's not in the mood
>>"If the drummer is sat half a foot from the thing and can't hear it then the audience certainly won't either so why does it matter when he wallops the damned thing or indeed if he does at all?"
Drums are generally designed to project the sound. That is, project the sound away from the drummer. Not a great situation for a drummer on a stage surrounded by other musicians. ;)
Also, when you're sat behind an acoustic kit amongst the general swirling mush of white noise that makes up pretty much all you can hear of the mix of over-the-top guitar amps, bass, keyboards, vocals et al and of course your own playing it's nigh on impossible to discern any kind of definition in the low end frequencies. At most you're likely to hear your hi-hats, snare and cymbals so actually getting some form of feedback from the kick can be important to know you're on the pulse with your right (or left if you're a leftie, or both if you're a metal drummer) foot.
What makes the kick different to the other drums/cymbals is that you're not playing against it with a stick in your hand, but rather with a beater (possibly soft felt) attached to a sprung pedal, and the bass drum head has a lot more 'give' due to its size and lower tuning, so it's that bit harder to discern the actual impact of the beater and/or velocity of the strike. By playing the kick pedal in different ways you can change the character of the resultant note - if you let the pedal rebound quickly from the head you create a much longer more resonant tone, but if you 'bury the beater' (ie: stomp on it with your foot and press it into the head, holding it there after the strike) you can create a much more muffled dry tone, and the harder you bury the beater, the higher the pitch of that tone. If you're playing your kick dynamically like that it helps to have some kind of monitoring.
But then, as a drummer I wouldn't expect anyone to understand the musical nuances of the percussive area of the stage, apart from my rhythmical brother on the bass there :D
But I'll leave you with another 'drummer joke'...
Why are so many drummer jokes one liners?
So that the guitarist can understand them!
I gotta be honest, the people who responded may, or may not be drummers. But speaking personally, unless your'e on the road a great deal, or have any experience of the difficulties associated with a live setup, you will not see the true potential, and brilliance of this product. It's true, there have been fore-bearers who produced similar products, but lets be honest, they didnt contain a spec. even close to the BumChum. Yeah yeah, it may be pricey too, but put a price on ease of set up and a rekindling of romance between you, your kit and your playing. If your'e serious about playing (LIVE) this is the only way to go.
Get me one! And I'll have a tea shirt too!
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The problem for most drummers isn't hearing their kit, or even the other instruments. The problem is keeping time. With the honourable exception of Charlie Watts, most drummers suck at sticking to a tempo. Our drummer plays with a metronome wired to headphones, so he's got a click track at the right tempo. Maybe he'll drift off the beat occasionally, but he's got the click there to get back to. These things are just a bigger version of it.
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