Re: Re: Re: Re: Who the hell do they think they are?
"marketing, distribution, legal teams, advisers and so on."
"All people that only exist because lock in (and now DRM) and IP right are the way they are."
Not true. While I'm happy to agree that many don't add to the quality of in some ways to the value of the work, they are often required:
* marketing - help the public find out about the work in the first place.
* distribution - those CDs or books don't get to the stores on their own
* legal teams - ok, maybe they should all be shot (in front of their families no less) but some form of legal assistance is often necessary. If only to ensure the split of royalties is correctly drawn up. (notice how I'm avoiding the word "fare")
* advisers - artists aren't always the most world savvy people and often need assistance. From how not to get arrested too often, where to holiday without being mobbed or just how to avoid paying quite so much tax.
With a switch to digital these roles would change, however there are still a lot of cases where they are needed. For example, if you're a talented singer with a good band but nobody buys your music because nobody knows who you are - would you like to put the effort into learning how and where to best promote your band or would you employ somebody who has the experience to do it and you can get on doing what you like doing best - i.e. creating music? Simplistic example I know, but still valid.
And yes, I'd be more than happy to pay less and have the artist / creator get more of the money. However that is muddying the issue and while nastily tied up with Copy Protection and DRM, is a separate blight on the creative industry.